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feeling dismal

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feeling disillusioned
feeling dismal
feeling disrespected
feeling dissatisfied
feeling distanced - distant feelings
feeling distracted
feeling disturbed
feeling distressed
feeling doubtful - feeling doubted
feeling dysfunctional

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Your dictionary definition of:

disˇmal

adj.

  1. Causing gloom or depression; dreary: dismal weather; took a dismal view of the economy.
  2. Characterized by ineptitude, dullness, or a lack of merit: a dismal book; a dismal performance on the cello.
  3. Obsolete. Dreadful; disastrous.

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Madeline's Personal Experience with Suicidal Thoughts

From 3rd grade until I transitioned I seriously considered committing suicide probably once a week! I never did but I certainly felt jaded at the world & hopeless out of control of my own life & desperate to end the pain & too confused to go on living & all sorts of other convuluted things I still can't put words to.

In some ways I wonder if thinking about suicide so much wasn't a way I gained control over life. I could think, "Things are bad now & if they ever got really bad I could always exit life." I have experience with feeling suicidal & I'd never judge somebody else for having those kinds of thoughts too.

Even so, I probably can't completely understand what you're feeling now. Your feelings belong to you & only you're living your life. I would never try to tell you what's right for you. But just that you've bothered to read this far into this page makes me wonder if there isn't a small part of you that really wants to seek out a different path.

Maybe there's a small part of you that really wants to live & experience life & somehow deal with all the pain. And it's not like I can tell you what that solution is for you. Only you can figure that out. But I can share with you some of how I found my own solution for me. I hope you'll consider reading it?

I have a reputation for always being cheerful & an optimist. It's kind of surprising to me. But, then again, I guess it's something I should expect because no matter how completely miserable & suicidal I've been, I've always presented myself to the world a happy as I possibly could. It somehow seems wrong & selfish to be upset. It isn't really wrong or selfish to have any feelings but this is one of the issues I keep going to therapy to explore. I haven't considered committing suicide in the last several years but that's very different from how I used to be.

As I sit here trying to think of what to say about my suicidal feelings I just can't seem to bring any coherence to them. It's like I can't figure out how it used to make so much sense even though I 'm sure it did to me.

I guess the main reason I considered committing suicide was that I couldn't see any other possible solution & suicide was one of those solutions I really could control. There was a time when I carefully took one extra pill from various prescriptions in my parent's medicine cabinet.

I never found out if it was enough to kill me. It wasn't because of religion because by then I hated God for doing this to me. Eventual I just didn't believe in a God. Maybe it was for my parents & for my non-stop worry about being selfish, but I really don't know.

All I knew by high school was something needed to stop. I tried all sorts of things like repressing all of my emotions acting happy believing this is how life should be & so on. But really all those solutions were patchwork; nothing fundamentally changed. And that's what made suicide feel so right. It would be a *real* change. But maybe I just was too scared to try it because I still never acutally killed myself.

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Madeline's Epiphany: Controlling her own Destiny

It wasn't until I went to grad school that my life came tumbling down. There was one incident after another where I felt so totally helpless to control anything in my life. It's kind of funny to think about how I handled it. I remember my mom parroting back to me on the phone something I said way too often to her questions, "everything's under control."

But really nothing felt within my control. I couldn't even seek refuge in my own apartment. It was a tiny efficency that was just so dismal & run-down it drained me just living there.

Over the summer I decided to fix it up as a way of isolating myself for a little while. The old couple who owned the building offered to pay for the supplies & I thought, "how hard could painting this little room be?"

But painting that tiny apartment turned out to be a huge undertaking. It was dismal & gross & the closer I looked the more dismal & gross it became.

I'd peel off peeling paint just to find it was slapped up to cover another layer of peeling paint. It was even gross underneath it all! My thoughts often wandered to the history of this place & I wondered about those who came before me.

I came across layers of gross paint that were orange & bizarre colors that must have been remnants from the sixties. But even that terrible color choice almost seemed to be somebody else's attempt to just quickly cover up the mess & move on.

And I'm sure for many of the previous tenants of my apartments this really works. You can conceal all of yucky things with a glossing over of paint. But hiding underneatch are still all the mold & holes & gunk that would eventually come thru to later tenants.

And by then the problems even festered & grew into bigger uncontrollable problems. But I became almost zealous-like in fixing this apartment. I wasn't going to let there be any hidden gunk & temporary patchwork. Even though I knew I would probably live there only another year, I just needed it to be right.

Out of my zealous cleaning & painting & fixing I'd just collapse sometimes & look around thinking about the history of this place. I thought of how idiotic it was that I needed to fix this place so much. I thought about how I could have gotten myself to the point of caring so much about this place, Then I thought about my own history.

The history of this tiny room is the history of my tiny life.

This room is me.

Throughout my life I never really dealt with the real me. When I had problems in the 'outside' world I did my own 'quick-fix' painting. And that really worked!! At least for a little while. And then it was just time for another surface of 'good' paint to put over the 'bad' surface.

So why was I so zealous about fixing up this apartment? Maybe it just seemed easier than my own life?

I finished fixing up my apartment & it looked beautiful when I was done. And throughout my painting efforts I thought I of how I might do the same thing for my life.

I made a list of everything I felt was wrong with me & my life. The list filled pages & pages of notebook paper! There were maybe 5 or 6 dozen items!! But now what?

I began by going thru my list & I realized there really wasn't any way to fix about half of the things on my list. For example, I was still really upset about how my grandfather died & I was never able to connect with him even though I felt we had a lot in common.

But it was already too late. I made another list for those items: "Mistakes to Learn From."

I still felt no control over those things but in a certain symbolic sense putting it on one list was a relief. And I could feel at least a little control of my life by writing how I would like to be different in the future.

With the same zeolousness I put towards my apartment, I worked to fix everything else on my list. Some items were trivially simple but somehow having it on this list made it worth dealing with. I spent the rest of the summer on my list & by the end I had only 2 items left.

One was that I hated my career path. Even though it seemed absurd to throw away all of my work for years I thought about what I would do if only I could make a fresh start. I knew I really liked working with children & I really liked science so I thought about taking Developmental Psychology classes even though I knew *nothing* about the field.

I also interviewed several professors about what their careers were like & even though it still seemed absurd, I decided being a Developmental Psychologist would be best for me.

But then there was still one more item left on my list: my gender identity conflict. I mean, really, changing careers is one thing, but changing sex????

That's absurd!!

But, then again, less than a year ago changing careers seemed absurd too. Yet now I was accepted into a Ph.D. program to become a Developmental Psychologists!

For years & years I'd been going out in girl-form so why not just always be in girl-form? I started living my entire life in girl-form except in those places I had to appear as a boy. And it just seemed more & more like the right path.

So finally, a year after trying to gain some control over my life, I telephoned a gender identity clinic & began fixing this part of my life too.

Thank you for reading this far in my personal story about how I took / fixed my own life. I especially appreciate you taking the time to do this when I know you probably have a lot on your mind right now. And I'm not even sure I know what it is I hope I've conveyed.

I guess it's simply that it's very understandable to me that you might feel suicidal. It's really overwhelming to have no sense of control over your life. But at the same time I found that feeling of no control kind of liberating in the end. If you're considering suicide then you really have nothing to lose by considering alternatives.

Like, why not try creating a list of how you might completely change your life? It's worth trying. You might find that if you radically change your life to something that's truly living your own life you could feel really in control of your destiny. I hope you'll consider living you life rather than ending a life you never really had the chance to begin.

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A Dismal Feeling


 


I think back to youthful times when I felt lost and alone


I think back to a time when life seemed empty and unfulfilled.


I remember a time when my lonely soul would cry out loud and moan


For guidance from my Lord above to make the anguish be stilled.


I prayed to him and prayed to him but knew not what to pray for


I asked for wealth and peace of mind and treasures of this Earth


One day I opened up my eyes and trained them on Heavens door.


I realized then I knew not what my earthly things were worth.


He smiled and raised his arms to me, an invitation to join him there


He showed me riches I had never seen and joys I had never known.


As I gazed into his eyes I could not help but stare


For within his eyes was love complete that would never leave me alone.


For the first time in my life I realized he had been there all along


Sometimes we all forget what dismal feelings really mean.


Now I join him and I praise him in work, in poem and song


Those dismal feelings are only there because we have not seen


Although we see him not with our eyes, we see him with our heart.


And with his steadfast love guiding us we will not depart


From his love and from his care and from his words so dear.


Words of joy and words of love from one who is always near.  

 

 Lew Duffey

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ALWAYS APOLOGIZE, ALWAYS EXPLAIN
By Martha Beck
 
I was a mere child when the classic tear gusher Love Story hit theaters in 1970, but I wept along with the adult audience as the dying Ali MacGraw told the darling Ryan O'Neal, "Love means never having to say you're sorry."
 
Two years later, I saw another movie, What's Up, Doc?, in which Barbra Streisand's character repeated the very same line to the very same actor. This time, however, O'Neal had an answer. "That's the dumbest thing I ever heard," he said.

For me, that was a light bulb moment. I'd been swept along by the romance of Love Story, but even as I'd watched it, I'd felt an uncomfortable tickle in my brain. Young as I was (practically fetal, I swear), something was telling me that real lovers say they're sorry quite often. Sincerely. Fervently, even.
 
This is not because dismal feelings like shame & regret are necessary components of a relationship, but because without apology no relationship would be free of them. Everyone does things that bother or hurt others; a bit of inconvenient procrastination will do it, or a grumpy comment made in a stressful moment.
 
When we lack the ability to say we're sorry, minor offenses eventually accumulate enough weight to sink any relationship. But the simple act of apologizing can reestablish goodwill even when our sins are much, much graver.
 
Of course, it must be done right. A lame, badly constructed apology can do more damage than the original offense. Fortunately, the art of effective apology is simple & mastering it can mean a lifetime of solid, resilient relationships.
When to Apologize

I've heard many clients discuss & anticipate the "perfect moment" for an apology, claiming that premature contrition would just be too darn hard on the person they've wronged. Here's what I think: The perfect moment to apologize is the moment you realize you've done something wrong.

This seems obvious when we're contemplating somebody else's sins, but in the harsh light of our own guilt, we often try to protect ourselves from shame or censure by waiting for the heat to blow over. We may try to postpone apologizing or avoid it altogether by lying, blaming others, making excuses or justifying our actions. The impulse to go into such a stall is a big ol' signal. When you really don't want to say you're sorry, it's almost certainly time to do so.
 
On the other hand, you may be one of those people who apologize when they haven't done anything wrong. This is as false as failing to say you're sorry when circumstances warrant it. If you frequently apologize, it's time to stop. This kind of pseudo-apology may ease awkward conversations, but it's a form of crying wolf - it distracts attention from real issues & weakens meaningful apologies when the time for them arrives.

How to Apologize

Apologizing is rarely comfortable or easy, so if you're going to do it at all, make it count. Aaron Lazare, MD, a psychiatrist & dean of the University of Massachusetts Medical School, has spent years studying acts of contrition in every context, from interpersonal to international.
 
He has found that, to be effective, most apologies need to contain the following elements:

1. Full acknowledgment of the offense. Start by describing exactly what you did wrong, without avoiding the worst truths. Once the facts are out, acknowledge that your behavior violated a moral code. It doesn't matter whether you and the person you've hurt shares the same ethics: If you've broken your own rules, you're in the wrong. Accept responsibility.

2. An explanation. A truthful explanation is your best shot at rebuilding a strong, peaceful relationship. The core-deep explanation for your behavior is your key to changing for the better. Explanations help you & your victim understand why you misbehaved & assure both of you that the offense won't recur. Excuses merely deflect responsibility. Leave them out of your apology.

3. Genuine expression of remorse. Anyone who has been on the receiving end of the comment "I'm sorry you feel that way" knows the difference between sincere regret & an attempt to avoid responsibility for bad behavior. Few things are less likely to evoke forgiveness than apology without remorse.

4. Reparations for damage. An apology includes real repair work: not just saying "I'm sorry." Often there will be nothing tangible to repair; hearts & relationships are broken more often than physical objects.
 
In such cases, your efforts should focus on restoring the other person's dignity. The question "What else do you want me to do?" can start this process. If you ask it sincerely, really listen to the answer & act on the other party's suggestions, you'll be honoring their feelings, perspective & experience.
 
The knowledge that one is heard & valued has incredible healing power; it can mend even seemingly irreparable wounds.
 
After Apologizing

When you really apologize, you should feel good about yourself. An effective apology is, as Lazare puts it, "an act of honesty, an act of humility, an act of commitment, an act of generosity & an act of courage."
 
But there's no guarantee that the other person involved will share your warm fuzzies. The final gallant act of apology is to release your former victim from any expectation of forgiveness.
 
No matter how noble you have been, he will forgive - or refuse to forgive - on his own terms. That's his right. 

Anne Lamott refers to forgiveness as "giving up all hope of having had a different past." The same words apply to apologizing. An apology is the end of our struggle with history, the act by which we untangle from our past by accepting what it actually was.
 
From this truthful place we are free to move forward, whether or not we're forgiven. Apologizing doesn't make us perfect, but it shows our commitment to be honest about our imperfections & steadfast in our efforts to do better.

It reminds us of what Ali MacGraw's Love Story character died too young to learn: that love means always being willing to say you're sorry.

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Methamphetamine, also known as meth or crystal meth, is extremely addictive.

It severely affects the central nervous system. It is made in illegal labs from easy to find ingredients. One of the greatest dangers of crystal meth abuse is the dangerously unpredictable, irrational, violence it can produce.

Methamphetamine is a white, odorless, bitter-tasting crystalline powder. It is also called meth, speed, ice, crystal, crank, glass, or chalk, and can be easily dissolved in liquid. Meth can be snorted, smoked, injected or swallowed to get the user high.

Meth was originally developed from amphetamine for use in nasal decongestants and bronchial inhalers. It is prescribed for obesity, narcolepsy and even attention deficit disorder. A medical professional must closely monitor the prescriptions, which are not refillable.

Methamphetamine causes increased activity, suppressed appetite, and a sense of well-being. Crystal meth stimulates the release of dopamine, activating the brain’s pleasure center, as most illicit drugs do. Meth users develop an instant tolerance to the drug, constantly needing more crystal meth to get high as the body adapts to its effects.

Methamphetamine abuse has three typical patterns that users fall into: low intensity, binge, and high intensity.

Low-intensity meth abusers are not yet psychologically addicted but use methamphetamine casually. They seek extra stimulation, in the way that caffeine or nicotine is sometimes used to stay awake, gain more energy, or suppress the appetite.

Crystal meth users who binge on methamphetamine are psychologically addicted to its euphoric rushes. Binge and high-intensity crystal meth abusers prefer to smoke or inject methamphetamine for a faster, stronger high.

There are 7 stages in the cycle of crystal meth bingeing:

  1. Initial Rush
    After smoking or injecting methamphetamine, crystal meth users experience increased heartbeat, metabolism, and blood pressure.
  2. The Crystal Meth High
    Meth often makes a user feel more intelligent and confident, and they may become more aggressive and argumentative than usual.
  3. The Crystal Meth Binge
    As the end of the meth high approaches, the user seeks to continue the high by smoking or injecting more methamphetamine. However, the euphoric rush is diminished each time after the initial dose, as tolerance is experienced immediately. A binge meth user will continue to use crystal meth over a 3 to 15 day period, until no rush or high is experienced, and become mentally and physically hyperactive, avoiding sleep.
  4. Crystal Meth Tweaking
    Toward the end of the crystal meth binge, the meth user experiences a crash with feelings of sadness and emptiness. This state is called “tweaking”. While tweaking, crystal meth users may take alcohol or heroin, to relieve the dismal feelings. Meth tweaking can produce extremely unpredictable, violent behavior, hallucinations and paranoia.
  5. The Crystal Meth Crash
    A crystal meth binge user eventually crashes when their body’s supply of epinephrine is depleted. They require immense amounts of sleep to replenish the body, often over 1 to 3 days.
  6. Return to Normal
    After crashing and replenishing the body, a crystal meth user returns to normal. However, the user’s condition will be somewhat deteriorated from what it was before using methamphetamine.
  7. Withdrawal
    Withdrawal from methamphetamine often sneaks up on a crystal meth user – one to three months may pass after using meth before withdrawal symptoms are recognized.
    There are no acute, immediate symptoms of physical distress. However, the crystal meth user in withdrawal will slowly become depressed and unable to feel pleasure, lacking energy. Craving for methamphetamine can hit suddenly, and combined with the feelings of depression may lead to suicide.

Withdrawal symptoms end as soon as crystal meth is used again, making it extremely difficult to break the cycle of meth use. Those who continue to use crystal meth become high-intensity abusers pursuing the rush they felt the first time they used crystal meth. But instead, they experience less euphoria with each rush, using more and more crystal meth. Each high is diminished, with more frequent binges on more methamphetamine.

Doorways of Support & Inspiration:
Dealing with Failure: There are No Mistakes

Failure in Work  Thomas Moore
 
Ordinary failures in work are an inevitable part of the descent of the spirit into human limitation. Failure is mystery, not a problem. Of course this means not that we should try to fail, or take masochistic delight in mistakes, but that we could see the mystery of incarnation at play whenever our work doesn't measure up to our expectations.

If we could understand the feelings of inferiority & humbling occasioned by failure as meaningful in their own right, then we might incorporate failure into our work so that it doesn't literally devastate us...
 
Jung explains that mortifications in life are necessary before eternal factors can be manifested.

A person is expressing this mystery when he realizes, "It's a good thing after all that I didn't get that job I wanted." For all its simplicity, such a statement penetrates beneath human intention & desire & captures the gist of the mystery of failure. In moments of mortification, you may discover that human intention & ambition are not always the best guides in life & work.
 
...Comprehending the mystery in failure & acknowledging its necessity-the way it works alchemically on the soul-allows us to see through our inabilities & not overly identify with them... The narcissist says, "I'm a failure. I can't do anything right."

But indulgence in failure, wallowing in it rather than letting it affect the heart, is a subtle defense against the corrosive action that is essential to it & that fosters soul.

By appreciating failure with imagination, we reconnect it to success. Without the connection, work falls into grand narcissistic fantasies of success & dismal feelings of failure. But as a mystery, failure is not mine, it is an element in the work I am doing.
 
From Care of the Soul: A Guide for Cultivating Depth and Sacredness in Everyday Life by Thomas Moore, HarperCollins Publishers, Inc. New York, NY, 1992, pp. 196-197.

The Power of Gratitude - By Dr. Laura De Giorgio

Gratitude fulfills the law of multiplication. Whatever you genuinely feel grateful for, you multiply in your life.

Think about it, if you gave a gift to another & that person felt genuinely grateful for the gift, you'd want to give that person another gift - just so you can experience those wonderful feelings of appreciation & perhaps to see a glow in another person's eyes, or feel really good about yourself for being able to do a good deed.

Well, the universe, or life in general, works exactly in the same way. As you feel a deep sense of gratitude, you begin to release that wonderful vibration that draws into your life countless blessings.

4 Stages of Gratitude

1. Take some time to think about the things, people & circumstances that are truly beneficial to you & that are enriching your life now or have enriched your life in the past & feel a sense of deep gratitude for those blessings.

2. There may be things, people & circumstances that are beneficial to you, but which you took for granted because they've been such an intrinsic part of your life that you're now even aware of their wonderfulness & usefulness in your life - such as the air that you breathe, the bed on which you sleep, the clothes that you wear, maybe even your family & friends.

Think about the life that animates your body, the wonderful mind that you have. Feel a sense of deep gratitude for those things, people & circumstances which are enriching your life every day, but which you might have taken for granted.

3. The more challenging step for most people, is feeling gratitude for dismal experiences in their lives, for losses, trials & tribulations, for those people & situations in our lives that brought us even some pain & discomfort.

Suffering may be considered useful or useless. Useless suffering is when we've gone through some experience & haven't learned anything from it. Useful suffering is when we've gone thru the unpleasant experience but have gained some valuable lessons.

Perhaps the unpleasant experiences have helped us to develop some skills & abilities we didn't feel motivated to develop before. Perhaps the unpleasant experiences have pushed us to the point where, unaware of any other choice to stop the suffering, we finally discovered incredible resources within ourselves, powers that were lying dormant & untapped.

When we express gratitude for these dismal experiences, we acknowledge the blessings within them & our power to transmute any condition into its higher state - instead of coal we begin to notice diamonds. In this way we also release undesirable conditions & embrace & amplify hidden treasures, because that's what we choose to focus upon.

4. Now, go one step further & think of those things you'd like to have in your life - feel how you'd feel having them right now & express gratitude for them as if you already have them. Gratitude is the fastest way to draw those experiences into your life.

When you feel gratitude for something, you acknowledge that you've already received it, you program this desirable experience as your reality into your subconscious mind, you expect it to happen, you begin looking for proofs that it's a part of your life, you begin acting as if this is true for you now & you begin to experience what may be nothing short of miracles.

Living My Life

by Emma Goldman

Volume one / New York: Alfred A Knopf Inc., 1931.

Chapter 4

THE 11TH OF NOVEMBER WAS APPROACHING, THE ANIVERSARY of the Chicago martyrdoms. Sasha & I were busy with preparations for the great event of so much significance to us. Cooper Union had been secured for the commemoration. The meeting was to be held jointly by anarchists & socialists, with the co-operation of advanced labour organizations.

Every evening for several weeks we visited various trade unions to invite them to participate. This involved short talks from the floor, which I made. I always went in trepidation. On previous occasions, at German & Jewish lectures, I had mustered up courage to ask questions, but every time I would experience a kind of sinking sensation.

While I was listening to the speakers, the questions would formulate themselves easily enough, but the moment I got up on my feet, I would feel faint. Desperately I would grip the chair in front of me, my heart throbbing, my knees trembling - everything in the hall would turn hazy.

Then I would become aware of my voice, far, far away & finally I would sink back in my seat in a cold sweat.

When I was first asked to make short speeches, I declined; I was sure I could never manage it. But Most would accept no refusal & the other comrades sustained him. For the Cause, I was told, one must be able to do everything & I so eagerly wanted to serve the Cause.

My talks used to sound incoherent to me, full of repetitions, lacking in conviction & always the dismal feeling of sinking would be upon me. I thought everyone must see my turmoil, but apparently no one aid.

Even Sasha often commented on my calm & self-control. I don't know whether it was due to my being a beginner, to my youth, or to my intense feeling for the martyred men, but I never once failed to interest the workers I had been sent to invite.

Our own little group, consisting of Anna, Helen, Fedya, Sasha & I, decided on a contribution - a large laurel-wreath with broad black & red satin ribbons. At first we wanted to buy 8 wreaths, but we were too poor, since only Sasha & I were working.

At last we decided in favour of Lingg: in our eyes he stood out as the sublime hero among the 8. His unbending spirit, his utter contempt for his accusers & judges, his will-power, which made him rob his enemies of their prey & die by his own hand - everything about that boy of 22 lent romance & beauty to his personality.

He became the beacon of our lives.

At last the long-awaited evening arrived - my first public meeting in memory of the martyred men. Since I had read the accounts in the Rochester papers of the impressive march to Waldheim - the 5 mile line of workers who followed the great dead to their last resting place - & the large meetings that had since been held all over the world, I had ardently looked forward to being present at such an event.

Now the moment had at last come. I went with Sasha to Cooper Union.

We found the historic hall densely packed, but with our wreath held high over our heads we finally managed to get through. Even the platform was crowded. I was bewildered until I saw Most standing next to a man & a woman; his presence made me feel at ease.

His two companions were distinguished-looking people; the man radiated friendliness, but the woman, clad in a tight-fitting black velvet dress with a long train, her pale face framed in a mass of copper hair, seemed cold & aloof. She evidently belonged to another world.

Presently Sasha said: "The man near Most is Sergey Shevitch, the famous Russian revolutionist, now editor-in-chief of the socialist daily Die Volkszeitung; the woman is his wife, the former Helene von Donniges." "Not the one Ferdinand Lassalle loved - the one he lost his life for?" I asked. "Yes, the same; she has remained an aristocrat. She really doesn't belong among us. But Shevitch is splendid."

Most had given me Lassalle's works to read. They had impressed me by their profound thought, force & clarity. I had also studied his manifold activities in behalf of the incipient workers' movement in Germany in the fifties. His romantic life & untimely death at the hands of an officer in a duel fought over Helene von Dönniges had affected me deeply.

I was repelled by the woman's haughty austerity. Her long train, the lorgnette through which she scrutinized everybody, filled me with resentment. I turned to Shevitch. I liked him for his frank, kindly face & the simplicity of his manner. I told him I wanted to put our wreath over Lingg's portrait, but it was hung so high that I would have to get a ladder to reach it. "I'll lift you up, little comrade & hold you until you have hung your wreath," he said pleasantly.

He picked me up as if I were a baby.

I felt greatly embarrassed, but I hung the wreath. Shevitch set me down & asked why I had chosen Lingg rather than some one of the other martyrs. I replied that his appeal was strongest to me. Raising my chin gently with his strong hands, Shevitch said: "Yes, he was more like our Russian heroes." He spoke with much feeling.

Soon the meeting began. Shevitch & Alexander Jonas, his coeditor on the Volkszeitung & a number of other speakers in various languages told the story I had first heard from Johanna Greie. I had since read & reread it until I knew every detail by heart.

Shevitch & Jonas were impressive speakers. The rest left me cold. Then Most ascended the platform & everything else seemed blotted out. I was caught in the storm of his eloquence, tossed about, my very soul contracting & expanding in the rise & fall of his voice.

It was no longer a speech, it was thunder interspersed with flashes of lightning. It was a wild, passionate cry against the terrible thing that had happened in Chicago - a fierce call to battle against the enemy, a call to individual acts, to vengeance.

The meeting was at an end. Sasha & I filed out with the rest. I could not speak; we walked on in silence. When we reached the house where I lived, my whole body began to shake as in a fever. An overpowering yearning possessed me, an unutterable desire to give myself to Sasha, to find relief in his arms from the fearful tension of the evening.

My narrow bed now held two human bodies, closely pressed together. My room was no longer dark; a soft, soothing light seemed to come from somewhere. As in a dream I heard sweet, endearing words breathed into my car, like the soft, beautiful Russian lullabies of my childhood. I became drowsy, my thoughts in confusion.

The meeting . . . Shevitch holding me up . . . the cold face of Helene von Dönniges . . . Johann Most . . . the force & wonder of his speech, his call to extermination - where had I heard that word before?

Ah, yes, Mother - the Nihilists! The horror I had felt at her cruelty again came over me. But, then, she wasn't an idealist! Most was an idealist, yet he, too, urged extermination. Could idealists be cruel?

The enemies of life & joy & beauty are cruel. They're relentless, they have killed our great comrades. But must we, too, exterminate?

I was roused from my drowsiness as if by an electric current. I felt a trembling, shy hand tenderly glide over me. Hungrily I reached for it, for my lover. We were engulfed in a wild embrace. Again I felt terrific pain, like the cut of a sharp knife. But it was numbed by my passion, breaking through all that had been suppressed, unconscious & dormant.

The morning still found me eagerly reaching out, hungrily seeking. My beloved lay at my side, asleep in blissful exhaustion. I sat up, my head resting on my hand. Long I watched the face of the boy who had so attracted & repelled me at the same time, who could be so hard & whose touch was yet so tender.

Deep love for him welled up in my heart - a feeling of certainty that our lives were linked for all time. I pressed my lips to his thick hair & then I, too, fell asleep.

The people from whom I rented my room slept on the other side of the wall. Their nearness always disturbed me & now in Sasha's presence it gave me a feeling of being seen. He also had no privacy where he lived. I suggested that we find a small apartment & he consented joyfully.

When we told Fedya of our plan, he asked to be taken in. The fourth of our little commune was Helen Minkin. The friction with her father had become more violent since I had moved out & she couldn't endure it. She begged to come with us.

We rented a four room flat on Forty-second Street & we all felt it a luxury to have our own place.

From the very first we agreed to share everything, to live like real comrades. Helen continued to work in the corset factory & I divided my time between sewing silk waists & keeping house.

Fedya devoted himself to painting. The expense of his oils, canvases & brushes often consumed more than we could afford, but it never occurred to any one of us to complain. From time to time he would sell a picture to some dealer for fifteen or twenty-five dollars, whereupon he would bring an armful of flowers or some present for me.

Sasha would up braid him for it: the idea of spending money for such things, when the movement needed it so badly, was intolerable to him. His anger had no effect on Fedya. He would laugh it off, call him a fanatic & say he had no sense of beauty.

One day Fedya arrived with a beautiful blue & white striped silk jersey, considered very stylish then. When Sasha came home & saw the jersey, he flew into a rage, called Fedya a spendthrift & an incurable bourgeois, who would never amount to anything in the movement.

The two nearly came to blows & finally both left the flat. I felt sick with the pain of Sasha's severity. I began to doubt his love. It couldn't be very deep or he would not spoil the little joys that Fedya brought into my life. True, the jersey cost two dollars & a half.

Perhaps it was extravagant of Fedya to spend so much money. But how could he help loving beautiful things? They were a necessity to his artist's spirit. I grew bitter & was glad when Sasha didn't return that night.

He stayed away for some days. During that time I was a great deal with Fedya. He had so much that Sasha lacked & that I craved. His susceptibility to every mood, his love of life & of colour, made him more human, more akin to me. He never expected me to live up to the Cause. I felt release with him.

One morning Fedya asked me to pose for him. I experienced no sense of shame at standing naked before him. He worked away for a time & neither of us talked. Then he began to fidget about & finally said he would have to stop: he couldn't concentrate, the mood was gone.

I went back behind the screen to dress. I hadn't quite finished when I heard violent weeping. I rushed forward & found Fedya stretched on the sofa, his head buried in the pillow, sobbing. As I bent over him, he sat up & broke loose in a torrent - said he loved me, that he had from the very beginning, though he had tried to keep in the background for Sasha's sake; he had struggled fiercely against his feeling for me, but he knew now that it was of no use.

He would have to move out.

I sat by him, holding his hand in mine & stroking his soft wavy hair. Fedya had always drawn me to him by his thoughtful attention, his sensitive response & his love of beauty. Now I felt something stronger stirring within me. Could it be love for Fedya, I wondered. Could one love two persons at the same time?

I loved Sasha. At that very moment my resentment at his harshness gave way to yearning for my strong, arduous lover. Yet I felt Sasha had left something untouched in me, something Fedya could perhaps waken to life.

Yes, it must be possible to love more than one! All I had felt for the boy artist must have really been love without my being aware of it till now, I decided.

I asked Fedya what he thought of love for two or even for more persons at once. He looked up in surprise & said he didn't know, he had never loved anyone before. His love for me had absorbed him to the exclusion of anyone else. He knew he couldn't care for another woman while he loved me. And he was certain that Sasha would never want to share me; his sense of possession was too strong.

I resented the suggestion of sharing. I insisted that one can only respond to what the other is able to call out. I didn't believe that Sasha was possessive.

One who so fervently wanted freedom & preached it so wholeheartedly could never object to my giving myself to someone else. We agreed that, whatever happened, there must be no deception. We must go to Sasha & tell him frankly how we felt. He would understand.

That evening Sasha returned straight from work. The four of us sat down, as usual, to our supper. We talked about various things. No reference was made to Sasha's long absence & there was no chance to speak to him alone about the new light that had come into my life. We all went to Orchard Street to a lecture.

After the meeting Sasha went home with me, Fedya & Helen remaining behind. In our flat he asked permission to come to my room. Then he began to talk, pouring out his whole soul. He said he loved me dearly, that he wanted me to have beautiful things; that he, too, loved beauty. But he loved the Cause more than anything else in the world. For that he would forgo even our love. Yes & his very life.

He told me about the famous Russian revolutionary catechism that demanded of the true revolutionist that he give up home, parents, sweetheart, children, everything dear to one's being. He agreed with it absolutely & he was determined to allow nothing to stand in the way.

"But I do love you," he repeated. His intensity, his uncompromising fervour, irritated & yet drew me like a magnet. Whatever longing I had experienced when near Fedya was silent now. Sasha, my own wonderful, feeling dedicated, obsessed Sasha, was calling. I felt entirely his.

Later in the day I had to meet Most. He had spoken to me about a short lecture tour he was planning for me, but though I didn't take it seriously, he had asked me to come to see him about it.

The Freiheit office was crowded. Most suggested a nearby saloon, which he knew to be quiet in the early afternoon. We went there. He began to explain his plans for my tour; I was to visit Rochester, Buffalo & Cleveland. It threw me into a panic. "It is impossible!" I protested; "I don't know a thing about lecturing." He waved my objections aside, declaring that everybody felt that way in the beginning.

He was determined to make a public speaker of me & I would simply have to begin. He had already chosen the subject for me & he would help me prepare it. I was to speak on the futility of the struggle for the eight-hour workday, now again much discussed in labour ranks.

He pointed out that the eight-hour campaigns in '84, '85 & '86 had already taken a toll far beyond the value of the "damned thing." "Our comrades in Chicago lost their lives for it & the workers still work long hours." But even if the eight-hour day were established, there would be no actual gain, he insisted.

On the contrary, it would serve only to distract the masses from the real issue - the struggle against capitalism, against the wage system, for a new society. At any rate, all I would have to do would be to memorize the notes he would give me. He was sure that my dramatic feeling & my enthusiasm would do the rest. As usual, he held me by his eloquence. I had no power to resist.

When I got home; away from Most's presence, I again experienced the sinking feeling that had come upon me when I had first tried to speak in public. I still had three weeks in which to read up, but I was sure I never could go throu with it.

Stronger than my lack of faith in myself was my loathing for Rochester. I had completely broken with my parents & my sister Lena, but I yearned for Helena, for little Stella, now in her fourth year & for my youngest brother. Oh, if I were really an accomplished speaker, I would rush to Rochester & fling my accumulated bitterness into the smug faces of the people who had treated me so brutally. Now they would only add ridicule to the hurt they had given me. Anxiously I waited for the return of my friends.

How great was my astonishment when Sasha & Helen Minkin grew enthusiastic about Most's plan! It was a marvellous opportunity, they said. What if I would have to work hard to prepare my talk? It would be the making of me as a public lecturer, the first woman speaker in the German anarchist movement in America! Sasha was especially insistent: I must set aside every consideration, I must think only of how useful I would become to the Cause. Fedya was dubious.

My three good friends insisted that I stop work to have more time for study. They would also relieve me of every domestic responsibility. I feeling devoted myself to reading. Now & then Fedya would come with flowers. He knew that I hadn't yet spoken to Sasha. He never pressed me, but his flowers spoke more appealingly than anything he could have said. Sasha no longer scolded him for wasting money. "I know you love flowers," he would say; "they may inspire you in your new work."

I read up a great deal on the eight-hour movement, went to every meeting where the matter was to be discussed; but the more I studied the subject, the more confused I became. "The iron law of wages," "supply & demand," "poverty as the only leaven of revolt" --- I couldn't follow it all. It left me as cold as the mechanistic theories I used to hear expounded in the Rochester Socialist local. But when I read Most's notes, everything seemed clear.

The imagery of his language, his unanswerable criticism of existing conditions & his glorious vision of the new society awakened enthusiasm in me. I continued to doubt myself, but everything Most said seemed irrefutable.

One thought took definite shape in my mind. I'd never memorize Most's notes. His phrases, the flower & spice of his invective, were too well known for me to repeat them parrot-like. I would use his ideas & present them in my own way. But the ideas - were they not also Most's? Ah, well, they had become such a part of me that I could not distinguish how far I was repeating him or to what extent they had been reborn as my own.

The day of my departure for Rochester arrived. I met Most for a last talk; I came in a depressed mood, but a glass of wine & Most's spirit soon lifted the weight. He talked long & ardently, made numerous suggestions & said I must not take the audiences too seriously; most of them were dullards, anyway.

He impressed upon me the need of burnout. "If you can make people laugh, sailing will be easy." He told me that the construction of my lecture did not matter much. I must talk in the way I related to him my impressions of my first opera. That would move the audience. "For the rest, be bold, be arrogant, I am sure you'll be brave."

He took me to the Grand Central in a cab. On the way he moved close to me. He yearned to take me in his arms & asked if he might. I nodded & he held me pressed to him. Conflicting thoughts & emotions possessed me; the speeches I was going to make, Sasha, Fedya, my passion for the one, my budding love for the other.

But I yielded to Most's trembling embrace, his kisses covering my mouth as of one famished with thirst. I let him drink; I could have denied him nothing. He loved me, he said; he had never known such longing for any woman before.

Of late years he hadn't even been attracted to anyone. A feeling of growing age was overcoming him & he felt worn from the long struggle & the persecution he had endured. More depressing even was the consciousness that his best comrades misunderstood him. But my youth had made him young, my ardour had raised his spirit. My whole being had awakened him to a new meaning in life. I was his Blondkopf, his "blue eyes"; he wanted me to be his own, his helpmate, his voice.

I lay back with my eyes closed. I was too overpowered to speak, too limp to move. Something mysterious stirred me, something entirely unlike the urge towards Sasha or the sensitive response to Fedya. It was different from these. It was infinite tenderness for the great man-child at my side.

As he sat there, he suggested a rugged tree bent by winds & storm, making one supreme last effort to stretch itself towards the sun. "All for the Cause," Sasha had so often said. The fighter next to me had already given all for the Cause. But who had given all for him? He was hungry for affection, for understanding. I would give him both.

At the station my three friends were already waiting for me. Sasha held out an American Beauty rose to me. "As a token of my love, Dushenka & as a harbinger of luck on your first public quest."

Precious Sasha; only a few days before, when we went shopping on Hester Street, he had protested strenuously because I wanted him to spend more than six dollars for a suit & twenty-five cents for a hat.

He wouldn't have it. "We must get the cheapest we can," he reiterated. And now - what tenderness there was under his stern exterior! Like Hannes. Strange, I'd never before realized how much alike they were. The boy & the man. Both hard; one because he had never yet tasted life & the other because it had struck him so many blows. Both equally unyielding in their zeal, both so childlike in their need for love.

The train sped on towards Rochester. Only six months had passed since I had cut loose from my meaningless past. I had lived years in that time.

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